Works within  Tracing Ruptures , a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)

Works within Tracing Ruptures, a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)

 Works within Tracing Ruptures, a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)

Works within Tracing Ruptures, a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)

  Sable Cloud Silver  (framed 8 x 10” tintype, 2023)

Sable Cloud Silver (framed 8 x 10” tintype, 2023)

  Ginin-ginin-derry I  (framed 5 x 7” tintype, 2022)

Ginin-ginin-derry I (framed 5 x 7” tintype, 2022)

  Ginin-ginin-derry II  (framed 5 x 7” tintype, 2022)

Ginin-ginin-derry II (framed 5 x 7” tintype, 2022)

  Ginin-ginin-derry III  (framed 5 x 7” tintype, 2022)

Ginin-ginin-derry III (framed 5 x 7” tintype, 2022)

Anamneses (12 minute 16 second video, 2022)

Commissioned by Lumiere: Mount Victoria’s Festival of the Moving Image

 Anamneses (framed 8 x 10” tintype, 2021)

Anamneses (framed 8 x 10” tintype, 2021)

 Mirror Image (framed 4 x 5” aluminotype, 2020)

Mirror Image (framed 4 x 5” aluminotype, 2020)

  Caducity’s Daughters II  (framed 4 x 5” aluminotype, 2020)  Commissioned by Modern Art Projects Blue Mountains  With thanks to  Gala Grahovac  (for modelling), and to Enrico Scotece and Michaela Gamble of  The Negative  (for assisting)

Caducity’s Daughters II (framed 4 x 5” aluminotype, 2020)

Commissioned by Modern Art Projects Blue Mountains

With thanks to Gala Grahovac (for modelling), and to Enrico Scotece and Michaela Gamble of The Negative (for assisting)

  Caducity’s Daughters II  (framed 4 x 5” aluminotype, 2020)

Caducity’s Daughters II (framed 4 x 5” aluminotype, 2020)

  Caducity’s Daughters III  (framed 4 x 5” aluminotype, 2020)

Caducity’s Daughters III (framed 4 x 5” aluminotype, 2020)

  Bushland  (pigment inkjet print)

Bushland (pigment inkjet print)

 Works within  Tracing Ruptures , a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)
 Works within Tracing Ruptures, a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)
  Sable Cloud Silver  (framed 8 x 10” tintype, 2023)
  Ginin-ginin-derry I  (framed 5 x 7” tintype, 2022)
  Ginin-ginin-derry II  (framed 5 x 7” tintype, 2022)
  Ginin-ginin-derry III  (framed 5 x 7” tintype, 2022)
  Anamneses  (12 minute 16 second video, 2022)   Commissioned by  Lumiere: Mount Victoria’s Festival of the Moving Image
 Anamneses (framed 8 x 10” tintype, 2021)
 Mirror Image (framed 4 x 5” aluminotype, 2020)
  Caducity’s Daughters II  (framed 4 x 5” aluminotype, 2020)  Commissioned by Modern Art Projects Blue Mountains  With thanks to  Gala Grahovac  (for modelling), and to Enrico Scotece and Michaela Gamble of  The Negative  (for assisting)
  Caducity’s Daughters II  (framed 4 x 5” aluminotype, 2020)
  Caducity’s Daughters III  (framed 4 x 5” aluminotype, 2020)
  Bushland  (pigment inkjet print)

Works within Tracing Ruptures, a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)

Works within Tracing Ruptures, a Blue Mountains City Art Gallery exhibition curated by Hayley Zena Poynton (photographed by Silversalt Photography)

Sable Cloud Silver (framed 8 x 10” tintype, 2023)

Ginin-ginin-derry I (framed 5 x 7” tintype, 2022)

Ginin-ginin-derry II (framed 5 x 7” tintype, 2022)

Ginin-ginin-derry III (framed 5 x 7” tintype, 2022)

Anamneses (12 minute 16 second video, 2022)

Commissioned by Lumiere: Mount Victoria’s Festival of the Moving Image

Anamneses (framed 8 x 10” tintype, 2021)

Mirror Image (framed 4 x 5” aluminotype, 2020)

Caducity’s Daughters II (framed 4 x 5” aluminotype, 2020)

Commissioned by Modern Art Projects Blue Mountains

With thanks to Gala Grahovac (for modelling), and to Enrico Scotece and Michaela Gamble of The Negative (for assisting)

Caducity’s Daughters II (framed 4 x 5” aluminotype, 2020)

Caducity’s Daughters III (framed 4 x 5” aluminotype, 2020)

Bushland (pigment inkjet print)

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